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Post by lost in the file system on May 5, 2015 17:19:46 GMT
I can say for certain that he is using plugins.
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Post by loukessler on May 30, 2015 16:19:58 GMT
This has kind of already been asked and answered but I'm gonna see if anyone has anymore advice (you guys are very helpful).
How do I get those massive trance stabs? Like, those chords that can sound really toy-ish and playful but also really rich and powerful. Any ideas? Tips for logic would be great!
╮ (. ❛ ᴗ ❛.) ╭
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Post by lost in the file system on May 30, 2015 18:29:10 GMT
Would you post an example from a track?
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Post by BaRt on Jun 4, 2015 19:55:00 GMT
loukessler, those are supersaws, you can create a lot of pcms sound palatte in es2. set your oscillators all to saw (N shaped), detune one an octave up and one an octave down, and change the fine tune on each to create a little detune. set synth to unison (and mono if applicable), enable maximum number of voices, and play with the "analog" parameter on the left. you can play with envelopes, i usually start with no attack full sustain short release on the amplitude. you can create the stabby quality by closing a 24 db lowpass filter with no resonance and opening it with an envelope with short decay and low sustain.
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Post by dr on Jun 5, 2015 20:26:05 GMT
Well someone with more knowledge of Logic/Plugins might be able to id what's going on here   Can't ID any actual plugins he might be using there, but I can tell you that most of the stuff that plays on his screen during that video is just pretty graphics getting the shit distorted out of them hehe |
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Post by shinhito on Jun 29, 2015 23:18:15 GMT
I don't think A.G. Cook is using Logic Pro in the video, if he is he's using a much older version. Here is a list of all the Logic Pro Plugins that comes with it and none of their interfaces looks like what's on that screen. www.apple.com/logic-pro/plugins-and-sounds/I also love it that the sound warps when he turns the knob on that audio interface, I can tell you almost certainly he's turning a Trim knob and that would just affect the level of the sound, not warp it like it does in the video. |
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Post by luv2 on Jul 9, 2015 18:51:05 GMT
in the video ag cook is using the EFM1 in logic pro 9
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pixel
Junior Member
Posts: 94 
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Post by pixel on Jul 12, 2015 17:45:24 GMT
Well someone with more knowledge of Logic/Plugins might be able to id what's going on here Looks like he's got Logic's ES2 open on the left there. Not familiar with the pink things; maybe they link to a MIDI keyboard (they look like square pads, so...)? |
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Post by : ) on Aug 8, 2015 17:44:24 GMT
lol i REALLY want to know what plugins/daw AG uses, not to "steal" his tastes in convenient tabla rusas (a broad thing to steal, imo)
I'd just like to hear more hifi things other than pc music
Reaktor has some really cool stuff
Digital Performer is pretty amazing too
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Post by Dvnots on Aug 3, 2016 14:14:30 GMT
Okay, I'm wondering how to get those really drawn out bassy kicks that a lot of producers use (for example, SOPHIE uses them in MSMSMSM, the verses of Trophy, and the drop of Paradise) in Logic Pro X?
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Post by mlamla on Aug 3, 2016 23:53:38 GMT
Okay, I'm wondering how to get those really drawn out bassy kicks that a lot of producers use (for example, SOPHIE uses them in MSMSMSM, the verses of Trophy, and the drop of Paradise) in Logic Pro X? use an lfo or envelope on the cutoff of a low pass filter so it has a thump and increase the harmonics so it sounds a bit less like a bass drum and remove all the highs and some mids with a EQ band. maybe also mess around a bit with an envelope filter to get ride of any bright timbres also the drums are wide af so using stereo expander can also help along with a slight reverb I never used logic but I think you should be able to do this in most synths |
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mumsnetmafia
Junior Member
I am in The Way Out Radio Network
Posts: 91 
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Post by mumsnetmafia on Aug 20, 2016 5:05:34 GMT
“We are nostalgists as much as we are futurists. We blissfully relive the 8-bit primitivism of a bygone age, preserved forever by the endless archival capacity of the internet, whilst utilising those same networks to shape the fantastical landscapes of tomorrow. […] We are thus cynics, and yet eternal optimists, our technologies driving our melancholia and invention in equal measure.” Great quote, who said this? |
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