Deleted
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Post by Deleted on Oct 7, 2015 19:26:41 GMT
To be fair, I only noticed this after Hannah tweeted this, but at one point (I forget where) in Keri Baby you can hear her very high pitched say "sorry", from an outtake I always loved this funny little touch, it's cool that Hannah confirmed this as I had always thought it was from an outtake  |
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Post by ££££££ on Oct 8, 2015 1:00:09 GMT
Is the sample not of 'get stupid' from the rinse mix and qt played in boiler room  ? |
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Deleted
Deleted Member
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Post by Deleted on Oct 8, 2015 1:24:38 GMT
Is the sample not of 'get stupid' from the rinse mix and qt played in boiler room ?  |
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Post by ££££££ on Oct 8, 2015 11:23:30 GMT
Is the sample not of 'get stupid' from the rinse mix and qt played in boiler room ? I was talking about this song: youtu.be/aKa1rn-X_4sI definitely hear parts of this at the end of Elle (Maybe try harder to understand next time before leaving a sassy gif) |
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Post by wuchi on Oct 8, 2015 16:38:55 GMT
Not really a detail but there are certain songs that I didn't care for a long time before realizing they were amazing. Palette by Tielsie for example was a track that I wrote off forever but it's recently become one of my top 5 PCM songs ever. I totally didn't notice the level of warmth and detail in the synth design and intricacy in the composition until taking a closer listen. I want to live inside the dreamy section that takes place from 2:12 to the end. We need more Tielsie!!
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Post by Dvnots on Oct 8, 2015 19:50:14 GMT
Is the sample not of 'get stupid' from the rinse mix and qt played in boiler room ? Yeah, it definitely is! If you watch the Mr Mrs video, it also has it in there followed by that same motif played over the beginning of the alternate mix of Elle at a much higher volume |
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Post by digitalrain on Oct 9, 2015 17:56:16 GMT
Not really a detail but there are certain songs that I didn't care for a long time before realizing they were amazing. Palette by Tielsie for example was a track that I wrote off forever but it's recently become one of my top 5 PCM songs ever. I totally didn't notice the level of warmth and detail in the synth design and intricacy in the composition until taking a closer listen. I want to live inside the dreamy section that takes place from 2:12 to the end. We need more Tielsie!! Did you know that the vocals in "Palette" are taken from a Christmas track by Justin Bieber (and Boyz II Men)?! www.youtube.com/watch?v=b_4rdHIMDfkMakes me love PC Music even more.... |
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Post by Keith_Courage on Oct 9, 2015 18:07:10 GMT
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Post by Dvnots on Oct 10, 2015 12:07:47 GMT
Not really a detail but there are certain songs that I didn't care for a long time before realizing they were amazing. Palette by Tielsie for example was a track that I wrote off forever but it's recently become one of my top 5 PCM songs ever. I totally didn't notice the level of warmth and detail in the synth design and intricacy in the composition until taking a closer listen. I want to live inside the dreamy section that takes place from 2:12 to the end. We need more Tielsie!! That's how I was with Not That Bad and Hueboy. At first j didn't really care for them and now I love them |
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breadvelvet
New Member
congrats breadvelvet u responsible fukc
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Post by breadvelvet on Oct 10, 2015 18:41:40 GMT
there's a sort of funky little synth lead line with a healthy dose of portamento in the last four bars or so in the chorus of "Hey QT" which i just noticed like 5 mins ago lol
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Post by dr on Oct 11, 2015 3:58:33 GMT
there's a sort of funky little synth lead line with a healthy dose of portamento in the last four bars or so in the chorus of "Hey QT" which i just noticed like 5 mins ago lol yesss so many little details in that song that keep me coming back to it. When it came out last year it was by no means my favorite PC release, I think I streamed it once and then wrote it off. Then two months ago I came back to it and started picking out all those lovely little details also just going to echo the sentiment here that Tielsie is a pure being with incredibly warm and emotional music. Can't wait for what comes next |
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Post by a pretentious fuck on Jan 2, 2016 17:11:56 GMT
yeah, that coupled with the laplander bit at the end makes it a nice bridge between the two EPs.
it took me forever to notice that the arpeggiated section of in my dreams at ~1:50 ends with a bassline that becomes the melody of the bell chords in the bit immediately after, so basically part of that section's power comes from the line being repeated across three octaves with the surrounding instrumentation dropping out after the first.
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Post by cheeseburger on Jan 2, 2016 22:32:04 GMT
it took me forever to notice that the arpeggiated section of in my dreams at ~1:50 ends with a bassline that becomes the melody of the bell chords in the bit immediately after, so basically part of that section's power comes from the line being repeated across three octaves with the surrounding instrumentation dropping out after the first. This is awesome wow, just realized right now. |
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needles2say
Junior Member
Truly ancient industry legend
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Post by needles2say on Jan 23, 2016 17:27:37 GMT
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Post by Dvnots on Jan 23, 2016 18:25:07 GMT
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