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Post by nicogrund on Mar 22, 2015 13:28:27 GMT
GFOTY's stuff seems to sound slightly different from A.G. Cook's or Danny L Harle's productions. Does she produce her own stuff or does A.G. produce her tracks like he does for Hannah Diamond? Was just wondering...
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Post by ¬ on Mar 22, 2015 13:59:15 GMT
There are several pictures of her in a studio with A. G. in the background, and I'm 100% sure Cook produced Bobby at least, and I think she's explicitly mentioned him wrt the Gamsonite stuff. Also, apparently according to a now-deleted tweet by a certain Manicure Records producer, Maxo has some involvement with "My Song"
Past that, I agree her music doesn't sound like any particular producer we know of. Regardless I think she has a lot of input into her music
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Post by lost in the file system on Mar 22, 2015 17:16:42 GMT
Ooo are those on instagram? I haven't seen those.
When I first heard Pink and Blue I asked Hannah on twitter who produced it and she said "PC Music's in house hit making team". Of course that includes A.G. but I am convinced that every track gets attention from multiple people like A.G., Danny, Finn D. I agree the production on her stuff sounds unique and I've wondered if she does some of it herself, but I think it's just A.G. et al giving each artist a distinct sound.
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Deleted
Deleted Member
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Post by Deleted on Mar 23, 2015 0:18:41 GMT
I have a feeling GFOTY does a lot or at least some of her own production or at least has an active part in it! I could also definitely see like Spinee, Finn, A.G., Danny, etc. contributing as well.
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deathworld
Junior Member
what are the haps my friends
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Post by deathworld on Mar 23, 2015 0:31:40 GMT
Ooo are those on instagram? I haven't seen those. When I first heard Pink and Blue I asked Hannah on twitter who produced it and she said "PC Music's in house hit making team". Of course that includes A.G. but I am convinced that every track gets attention from multiple people like A.G., Danny, Finn D. I agree the production on her stuff sounds unique and I've wondered if she does some of it herself, but I think it's just A.G. et al giving each artist a distinct sound. It hadn't occurred to me before but the idea of a hit making team is pretty great. I feel like that hasn't really been done outside of major label music before, and might be the thing about PC music that makes the biggest impact on music after the aesthetic wears off/becomes widely popular. Other small labels work in a similar way with DIY production and such, but I don't know of any label where all the artists are this tight as a social group and have such an emphasis on collaboration to make seriously effective music. It's more like a big band with tons of members, or a collective... or a cult haha. I bet you could apply a similar structure of collaborating/coproducing/sharing vocalists/art directing etc to other genres of music with great success, although genres with hangups about authenticity might get weird about it. I wonder if there's an opportunity to build off of genres like punk or hiphop in the same way PC have built off of EDM and dance culture. Any genre that has both populist and purist camps is pretty ripe for pilfering "pure" sounds and signifiers and rebuilding them into extreme pop music. Anyway, I can definitely see Spinee being pretty closely involved with GFOTY's production, considering that they both have some of the most abrasive sounding music out of everyone.
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Post by unizen on Mar 23, 2015 4:09:31 GMT
I always figured Spinee produced some of GFOTY's stuff. I mean obviously they worked on Dog Food together, but I think there's a good chance she also had a hand in producing Don't Wanna / Let's Do It. Totally sounds like a Spinee track.
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Post by friopi on Mar 24, 2015 21:33:30 GMT
I always figured Spinee produced some of GFOTY's stuff. I mean obviously they worked on Dog Food together, but I think there's a good chance she also had a hand in producing Don't Wanna / Let's Do It. Totally sounds like a Spinee track. Just based on seeing them interact this week I think they probably work together. They seem like bffs, at the dogfood show every time I saw them they were talking 100 mph. But I also think gfoty does some of her own production, or else why would they have given her a real DJ set? Granted she did make mistakes, but it was definitely not prerecorded.
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Post by hannahsdiamond on Mar 25, 2015 3:50:18 GMT
I like to think she does the whole production in every song but I hear some A.G.
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